PASQUALE FESTA CAMPANILE: IL REGISTA MILIARDO di Rosalba Mazzamuto – Numero 5 – Luglio 2016

art_mazzamuto-copertina
cat-stile
cat-cultura
cat-arte
Rosalba-Mazzamuto
La-dominazione

ha fatto sì che molti italiani di quelle zone abbiano un carattere che di meridionale ha ben poco. Gli Svevi soggiornarono in Lucania e Pasquale Festa Campanile di sicuro sangue svevo nelle vene doveva averne. Di meridionale egli si era riservata la sensibilità, il senso di umanità antico, mentre se si dà un’occhiata alla sua produzione sia letteraria che cinematografica, ne viene fuori un personaggio che non ha avuto attimi di tregua: egli approfondiva, studiava, limava ogni riga scritta, ogni fotogramma impressionato. Questa creatività, tuttavia, non faceva di lui un frenetico proprio perché la componente meridionale glielo impediva.

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} } } function huge_it_cubeH_34(current_image_class, next_image_class, direction) { /* Set to half of image width.*/ var dimension = jQuery(current_image_class).width() / 2; if (direction == 'right') { huge_it_cube_34(dimension, dimension, 0, 0, 90, 0, -90, current_image_class, next_image_class, direction); } else if (direction == 'left') { huge_it_cube_34(dimension, -dimension, 0, 0, -90, 0, 90, current_image_class, next_image_class, direction); } } function huge_it_cubeV_34(current_image_class, next_image_class, direction) { /* Set to half of image height.*/ var dimension = jQuery(current_image_class).height() / 2; /* If next slide.*/ if (direction == 'right') { huge_it_cube_34(dimension, 0, -dimension, 90, 0, -90, 0, current_image_class, next_image_class, direction); } else if (direction == 'left') { huge_it_cube_34(dimension, 0, dimension, -90, 0, 90, 0, current_image_class, next_image_class, direction); } } /* For browsers that does not support transitions.*/ function huge_it_fallback_34(current_image_class, next_image_class, direction) { huge_it_fade_34(current_image_class, next_image_class, direction); } /* For browsers that support transitions, but not 3d transforms (only used if primary transition makes use of 3d-transforms).*/ function huge_it_fallback3d_34(current_image_class, next_image_class, direction) { huge_it_sliceV_34(current_image_class, next_image_class, direction); } function huge_it_none_34(current_image_class, next_image_class, direction) { jQuery(current_image_class).css({'opacity' : 0, 'z-index': 1}); jQuery(next_image_class).css({'opacity' : 1, 'z-index' : 2}); /* Set active thumbnail.*/ jQuery(".huge_it_slideshow_dots_34").removeClass("huge_it_slideshow_dots_active_34").addClass("huge_it_slideshow_dots_deactive_34"); jQuery("#huge_it_dots_" + huge_it_current_key_34 + "_34").removeClass("huge_it_slideshow_dots_deactive_34").addClass("huge_it_slideshow_dots_active_34"); } function huge_it_fade_34(current_image_class, next_image_class, direction) { if (huge_it_testBrowser_cssTransitions_34()) { jQuery(next_image_class).css('transition', 'opacity ' + huge_it_transition_duration_34 + 'ms linear'); jQuery(current_image_class).css('transition', 'opacity ' + huge_it_transition_duration_34 + 'ms linear'); jQuery(current_image_class).css({'opacity' : 0, 'z-index': 1}); jQuery(next_image_class).css({'opacity' : 1, 'z-index' : 2}); } else { jQuery(current_image_class).animate({'opacity' : 0, 'z-index' : 1}, huge_it_transition_duration_34); jQuery(next_image_class).animate({ 'opacity' : 1, 'z-index': 2 }, { duration: huge_it_transition_duration_34, complete: function () {return false;} }); // For IE. jQuery(current_image_class).fadeTo(huge_it_transition_duration_34, 0); jQuery(next_image_class).fadeTo(huge_it_transition_duration_34, 1); } jQuery(".huge_it_slideshow_dots_34").removeClass("huge_it_slideshow_dots_active_34").addClass("huge_it_slideshow_dots_deactive_34"); jQuery("#huge_it_dots_" + huge_it_current_key_34 + "_34").removeClass("huge_it_slideshow_dots_deactive_34").addClass("huge_it_slideshow_dots_active_34"); } function huge_it_grid_34(cols, rows, ro, tx, ty, sc, op, current_image_class, next_image_class, direction) { /* If browser does not support CSS transitions.*/ if (!huge_it_testBrowser_cssTransitions_34()) { jQuery(".huge_it_slideshow_dots_34").removeClass("huge_it_slideshow_dots_active_34").addClass("huge_it_slideshow_dots_deactive_34"); jQuery("#huge_it_dots_" + huge_it_current_key_34 + "_34").removeClass("huge_it_slideshow_dots_deactive_34").addClass("huge_it_slideshow_dots_active_34"); return huge_it_fallback_34(current_image_class, next_image_class, direction); } huge_it_trans_in_progress_34 = true; /* Set active thumbnail.*/ jQuery(".huge_it_slideshow_dots_34").removeClass("huge_it_slideshow_dots_active_34").addClass("huge_it_slideshow_dots_deactive_34"); jQuery("#huge_it_dots_" + huge_it_current_key_34 + "_34").removeClass("huge_it_slideshow_dots_deactive_34").addClass("huge_it_slideshow_dots_active_34"); /* The time (in ms) added to/subtracted from the delay total for each new gridlet.*/ var count = (huge_it_transition_duration_34) / (cols + rows); /* Gridlet creator (divisions of the image grid, positioned with background-images to replicate the look of an entire slide image when assembled)*/ function huge_it_gridlet(width, height, top, img_top, left, img_left, src, imgWidth, imgHeight, c, r) { var delay = (c + r) * count; /* Return a gridlet elem with styles for specific transition.*/ return jQuery('
').css({ width : width, height : height, top : top, left : left, backgroundImage : 'url("' + src + '")', backgroundColor: jQuery(".huge_it_slideshow_image_wrap_34").css("background-color"), /*backgroundColor: rgba(0, 0, 0, 0),*/ backgroundRepeat: 'no-repeat', backgroundPosition : img_left + 'px ' + img_top + 'px', backgroundSize : imgWidth + 'px ' + imgHeight + 'px', transition : 'all ' + huge_it_transition_duration_34 + 'ms ease-in-out ' + delay + 'ms', transform : 'none' }); } /* Get the current slide's image.*/ var cur_img = jQuery(current_image_class).find('img'); /* Create a grid to hold the gridlets.*/ var grid = jQuery('
').addClass('huge_it_grid_34'); /* Prepend the grid to the next slide (i.e. so it's above the slide image).*/ jQuery(current_image_class).prepend(grid); /* vars to calculate positioning/size of gridlets*/ var cont = jQuery(".huge_it_slide_bg_34"); var imgWidth = cur_img.width(); var imgHeight = cur_img.height(); var contWidth = cont.width(), contHeight = cont.height(), imgSrc = cur_img.attr('src'),/*.replace('/thumb', ''),*/ colWidth = Math.floor(contWidth / cols), rowHeight = Math.floor(contHeight / rows), colRemainder = contWidth - (cols * colWidth), colAdd = Math.ceil(colRemainder / cols), rowRemainder = contHeight - (rows * rowHeight), rowAdd = Math.ceil(rowRemainder / rows), leftDist = 0, img_leftDist = (jQuery(".huge_it_slide_bg_34").width() - cur_img.width()) / 2; /* tx/ty args can be passed as 'auto'/'min-auto' (meaning use slide width/height or negative slide width/height).*/ tx = tx === 'auto' ? contWidth : tx; tx = tx === 'min-auto' ? - contWidth : tx; ty = ty === 'auto' ? contHeight : ty; ty = ty === 'min-auto' ? - contHeight : ty; /* Loop through cols*/ for (var i = 0; i 0) { var add = colRemainder >= colAdd ? colAdd : colRemainder; newColWidth += add; colRemainder -= add; } /* Nested loop to create row gridlets for each col.*/ for (var j = 0; j 0) { add = newRowRemainder >= rowAdd ? rowAdd : rowRemainder; newRowHeight += add; newRowRemainder -= add; } /* Create & append gridlet to grid.*/ grid.append(huge_it_gridlet(newColWidth, newRowHeight, topDist, img_topDst, leftDist, img_leftDist, imgSrc, imgWidth, imgHeight, i, j)); topDist += newRowHeight; img_topDst -= newRowHeight; } img_leftDist -= newColWidth; leftDist += newColWidth; } /* Set event listener on last gridlet to finish transitioning.*/ var last_gridlet = grid.children().last(); /* Show grid & hide the image it replaces.*/ grid.show(); cur_img.css('opacity', 0); /* Add identifying classes to corner gridlets (useful if applying border radius).*/ grid.children().first().addClass('rs-top-left'); grid.children().last().addClass('rs-bottom-right'); grid.children().eq(rows - 1).addClass('rs-bottom-left'); grid.children().eq(- rows).addClass('rs-top-right'); /* Execution steps.*/ setTimeout(function () { grid.children().css({ opacity: op, transform: 'rotate('+ ro +'deg) translateX('+ tx +'px) translateY('+ ty +'px) scale('+ sc +')' }); }, 1); jQuery(next_image_class).css('opacity', 1); /* After transition.*/ jQuery(last_gridlet).one('webkitTransitionEnd transitionend otransitionend oTransitionEnd mstransitionend', jQuery.proxy(huge_it_after_trans)); function huge_it_after_trans() { jQuery(current_image_class).css({'opacity' : 0, 'z-index': 1}); jQuery(next_image_class).css({'opacity' : 1, 'z-index' : 2}); cur_img.css('opacity', 1); grid.remove(); huge_it_trans_in_progress_34 = false; if (typeof event_stack_34 !== 'undefined' && event_stack_34.length > 0) { key = event_stack_34[0].split("-"); event_stack_34.shift(); huge_it_change_image_34(key[0], key[1], data_34, true,false); } } } function huge_it_sliceH_34(current_image_class, next_image_class, direction) { if (direction == 'right') { var translateX = 'min-auto'; } else if (direction == 'left') { var translateX = 'auto'; } huge_it_grid_34(1, 8, 0, translateX, 0, 1, 0, current_image_class, next_image_class, direction); } function huge_it_sliceV_34(current_image_class, next_image_class, direction) { if (direction == 'right') { var translateY = 'min-auto'; } else if (direction == 'left') { var translateY = 'auto'; } huge_it_grid_34(10, 1, 0, 0, translateY, 1, 0, current_image_class, next_image_class, direction); } function huge_it_slideV_34(current_image_class, next_image_class, direction) { if (direction == 'right') { var translateY = 'auto'; } else if (direction == 'left') { var translateY = 'min-auto'; } huge_it_grid_34(1, 1, 0, 0, translateY, 1, 1, current_image_class, next_image_class, direction); } function huge_it_slideH_34(current_image_class, next_image_class, direction) { if (direction == 'right') { var translateX = 'min-auto'; } else if (direction == 'left') { var translateX = 'auto'; } huge_it_grid_34(1, 1, 0, translateX, 0, 1, 1, current_image_class, next_image_class, direction); } function huge_it_scaleOut_34(current_image_class, next_image_class, direction) { huge_it_grid_34(1, 1, 0, 0, 0, 1.5, 0, current_image_class, next_image_class, direction); } function huge_it_scaleIn_34(current_image_class, next_image_class, direction) { huge_it_grid_34(1, 1, 0, 0, 0, 0.5, 0, current_image_class, next_image_class, direction); } function huge_it_blockScale_34(current_image_class, next_image_class, direction) { huge_it_grid_34(8, 6, 0, 0, 0, .6, 0, current_image_class, next_image_class, direction); } function huge_it_kaleidoscope_34(current_image_class, next_image_class, direction) { huge_it_grid_34(10, 8, 0, 0, 0, 1, 0, current_image_class, next_image_class, direction); } function huge_it_fan_34(current_image_class, next_image_class, direction) { if (direction == 'right') { var rotate = 45; var translateX = 100; } else if (direction == 'left') { var rotate = -45; var translateX = -100; } huge_it_grid_34(1, 10, rotate, translateX, 0, 1, 0, current_image_class, next_image_class, direction); } function huge_it_blindV_34(current_image_class, next_image_class, direction) { huge_it_grid_34(1, 8, 0, 0, 0, .7, 0, current_image_class, next_image_class); } function huge_it_blindH_34(current_image_class, next_image_class, direction) { huge_it_grid_34(10, 1, 0, 0, 0, .7, 0, current_image_class, next_image_class); } function huge_it_random_34(current_image_class, next_image_class, direction) { var anims = ['sliceH', 'sliceV', 'slideH', 'slideV', 'scaleOut', 'scaleIn', 'blockScale', 'kaleidoscope', 'fan', 'blindH', 'blindV']; /* Pick a random transition from the anims array.*/ this["huge_it_" + anims[Math.floor(Math.random() * anims.length)] + "_34"](current_image_class, next_image_class, direction); } function iterator_34() { return 1; } function huge_it_change_image_34(current_key, key, data_34, from_effect, clicked) { if (data_34[key]) { if (!from_effect) { // Change image key. jQuery("#huge_it_current_image_key_34").val(key); current_key = jQuery(".huge_it_slideshow_dots_active_34").attr("data-image_key"); 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Amava il cinema e la letteratura. Ad altri spetta ricordare le caratteristiche dell’uomo di cultura, io posso soltanto dire che

il periodo passato accanto a lui è stato bello, esaltante, per me giovane moglie, proveniente da ambienti diversi da quelli del cinema; era tutto una novità, incontrare attori famosi che venivano a lavorare a casa, andare a cena con i suoi amici produttori cinematografici

Basti ricordare Bingo bongoNessuno è perfettoCulo e camicia e altri… interpretati da Celentano, Pozzetto, Montesano, Ornella Muti, film che hanno oltrepassato il traguardo dei 10 miliardi di lire di incasso dell’epoca. 
Dopo 18 anni dal primo romanzo, ritorna alla letteratura con un secondo e poi con altri, tutti tradotti in film per la sua regia. Era il periodo dell’austerity energetica e Pasqualino scrive Conviene far bene l’amore, successivamente portato sullo schermo con Gigi Proietti, idea originale per la ricerca di fonti alternative, come l’energia sprigionata dall’incontro fra un uomo e una donna che improvvisamente illumina un teatro intero. Poi viene Il Ladrone del 1980 che divenne film con Enrico Montesano nei panni di Caleb, il ladrone buono della croce, un antieroe picaresco, un simpatico ciarlatano che vende polveri miracolose e finte reliquie in una Palestina percorsa dei messaggi rivoluzionari di Cristo. Uno dei film a cui ha tenuto di più, anche questo sempre riproposto dalla televisione nel periodo pasquale, che non manca di avere qualche relazione con il successivo Per amore solo per amore, la storia di San Giuseppe come lo voleva vedere lui, ragazzo normale innamorato che si trova inconsapevole a percorrere una storia che non sempre capisce, premiato come miglior romanzo al Premio Strega. 
La sua carriera cinematografica si chiude in bellezza con il film Uno scandalo per bene, ispirato al “caso” Bruneri Canella, con Ben Gazzarra e Giuliana de Sio, e la sua carriera letteraria si chiude con il romanzo Buon Natale Buon Anno, Premio Bancarella, la cui stesura ci ha accompagnato fedelmente fino alla sua fine, poi tradotto in film per la regia di Comencini con due grandi attori: Virna Lisi e Michel Serrault.

Sfere-Fine-Pagina

PASQUALE FESTA CAMPANILE: IL REGISTA MILIARDO

 

come Luigi o Aurelio De Laurentiis, Mario Cecchi Gori o Fulvio Lucisano o Luciano Martino, allora fidanzato con Edwige Fenech, o editori dei suoi libri come Valentino Bompiani o Leonardo Mondadori. 
Ma quel periodo è stato anche infinitamente triste, per la lunga malattia che a 58 anni, a poco a poco, lo ha divorato, senza concedergli un’altra possibilità. 
Abitavamo in via Giulia, una casa piena, piena di libri – amava dire che ve ne erano circa 30.000 – che non leggeva ma di cui le pareti erano tappezzate; tutte, persino quelle dei bagni e, difatti, alla fatidica domanda “ma li hai letti tutti?” egli rispondeva “no, però li annuso quotidianamente, le parole, le frasi, i concetti volano nell’aria”. Erano i suoi approfondimenti, soprattutto per i film in costume, come la sceneggiatura del Gattopardo o quella di Rocco e i suoi fratelli, ambedue regie di Luchino Visconti, oppure Le quattro giornate di Napoli di Nanny Loy, scritta con Massimo Franciosa e Vasco Pratolini, o la fortunatissima commedia musicale Rugantino, che ormai rappresenta nella commedia dell’arte la maschera di Roma, costante successo internazionale, scritta assieme a Garinei, Giovannini, Luigi Magni e Massimo Franciosa, musicata da Armando Trovajoli, o la favola musicale 20 zecchini d’oro assieme a Luigi Magni, per la regia di Franco Zeffirelli. Come non ricordare poi Le voci bianche, rievocazione dei favolosi musici castrati in un colorito settecento romano, o Una vergine per il principe con Virna Lisi e Vittorio Gassman che gigioneggiava piacevolmente in abiti rinascimentali, delle quali fu anche il regista.

La casa di via Giulia era straripante di sceneggiature che gli proponevano, di libri che gli inviavano, o curricula di attori che volevano lavorare con lui, e, inoltre, vestiti fuori moda mai buttati, ma anche preziosi vasi e lampade art-nouveau che collezionava,

francesi di Emile Gallè, Le Verre Français, Daum e altri, o americani come i bellissimi Tiffany. Ne possedeva 80/90 pezzi, che davano una particolare allegria, colore e luce alla casa. 
Pasqualino arriva a Roma con la famiglia da piccolo, dalla Basilicata. 
La sua carriera giornalistica iniziò ad appena 19 anni, nell’immediato dopoguerra, in una prestigiosa testata culturale, «La Fiera Letteraria», passando poi alla radio e alla televisione, occupandosi prevalentemente di letteratura. 
Ma le radici lucane non tardano a farsi sentire nel suo primo romanzo del ’57, La nonna Sabella, poi tradotto in quel divertentissimo film diretto da Dino Risi e interpretato dalla magistrale Tina Pica che la televisione, durante il periodo estivo, ci ripropone spesso: comicità esilarante, spaccato di usi e costumi della sua terra natia e infarcito di ricordi della sua nonna. Il successo fu immediato. 
Da allora, Festa Campanile coniugò il proprio nome con i maggiori successi degli anni ’60, ’70, ‘80: la sua carriera di regista comincia con Un tentativo sentimentale, nella Roma del miracolo economico, passando per La costanza della ragione di Vasco Pratolini, Adulterio all’italianaLa cintura di castità con Tony Curtis e Monica Vitti, attraverso Poveri ma belli, Giovanni Mariti, il divertente Quando le donne avevano la coda, o il conosciutissimo Il merlo maschio con un eccezionale Lando Buzzanca e la bellissima Laura Antonelli, successo travolgente anche in Francia. Per fare solo alcuni esempi.

Era una firma di sicuro successo. I produttori se lo contendevano, riempiva le sale cinematografiche. Fu ribattezzato il regista miliardo ma non per averli intascati lui, i miliardi, bensì per averli fatti arrivare nelle tasche dei produttori.